University of the Philippines Film Institute

April 2012

filminstitute.upd.edu.ph — Thu, 12 Apr 2012 20:24:07 +0000


April 2012	UPFI this April 2012
Cine Adarna
Spotlight on Docus: Khavn de La Cruz and Michael Noer’s SON OF GOD April 13 Friday 5 & 7 p.m. Official Selection – 2010 Copenhagen International Documentary Film Festival; 2010 Denmark My World Images Contemporary Arts Festival Japanese Classics: Toshio Goto’s OLD BEAR HUNTER + Yoshihiro Oikawa’s A SUMMER PAGE April 26 Thu 5 & 7 p.m. Free Admission
Videotheque
Untitled/Visions April 13/20/27 Fridays 4:30 & 6:30 p.m. Derek Jarman / Jim Jarmusch Alejandro Jodorowsky / Miranda July Aki Kaurismaki / Abbas Kiarostami http://www.facebook.com/events/228513577180862/ Thirty Years of FAP April 14 Sat; April 18 Wed; April 28 Sat 2:30 & 4:30 p.m. Celebrating the 30th year of the Film Academy of the Philippines as the main industry institution for recognition of excellence in film with the Best Picture winners of the Philippine equivalent of the Oscars Back to Classics Celso Ad Castillo Ad Infinitum: ANG ALAMAT NI JULIAN MAKABAYAN April 17 Tue 5 p.m. Elwood Perez Odd Mix: SHAME + SUMMER LOVE April 25 Wed 5 p.m. onwards http://www.facebook.com/events/266778836680570/ *Spotlight on Docus Leni Riefenstahl’s Olympia: FESTIVAL OF THE NATIONS + FESTIVAL OF BEAUTY April 19 Thu 5 p.m. onwards http://www.facebook.com/events/223085931080116/
Ishmael Bernal Gallery
BEHAVING BODIES : Australian and New Zealand video art March 30 – April 20 Agatha Gothe-Snape / Lou Hubbard / Laresa Kosloff / Campbell Patterson / Stuart Ringholt / Justene Williams FELIX BACOLOR : Outdoor Photo Installation March 30 – April 20
Workshops
Schedule : April 2012 Venue: Film Building / CMC Media Center U.P. FILM INSTITUTE WORKSHOPS APRIL 2012 BASIC SCRIPTWRITING Facilitator: Raz de la Torre Schedule : April 16 to 20, 2012 / 1 – 6pm Course Fee : P 5,500 DIGITAL PHOTOGRAPHY Facilitator: Jay Javier Schedule : April 16 to 20, 2012 / 1- 6pm Course Fee : P 6,000 Requirement : Digital Camera preferably D-SLR INTERMEDIATE DIGITAL PHOTOGRAPHY – FASHION/ STUDIO Facilitator: Daemon Becker Schedule : April 21, 28 May 5 12, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 Requirement : DSLR, flash tripod DIGITAL VIDEO PRODUCTION Facilitator: Mr. Milo Paz Schedule : April 23 – 27, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 8,000 U.P. FILM INSTITUTE WORKSHOPS MAY 2012 DIGITAL PHOTOGRAPHY Facilitator: Mr. Estan Cabigas Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 6,000 Requirement : Digital Camera preferably D-SLR INTERMEDIATE SCRIPTWRITING – FOUND STORIES Facilitator: Mr. Bing Lao Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 5,500 Venue: CMC Media Center DIRECTING – Horror Genre Facilitator: Mr. Rico Ilarde Schedule : May 14 to 18, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 8,000 INTERMEDIATE DIGITAL PHOTOGRAPHY – PHOTOJOURNALISM Facilitator: TBA Schedule : TBA (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 DIGITAL CINEMATOGRAPHY – HDSLR Facilitator: Nap Jamir Schedule : May 5, 12, 19, 26, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) NON-LINEAR EDITING Schedule : May 12, 19, 26 June 2, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 Click here to read more on registration.

U.P. FILM INSTITUTE WORKSHOPS APRIL/MAY 2012

filminstitute.upd.edu.ph — Tue, 28 Feb 2012 08:03:09 +0000

UPFI WORKSHOPS 2012	UPFI WORKSHOPS APRIL/MAY 2012 Workshops and short-term courses are offered to provide impetus to budding practitioners and sustain general creativity for the cause of emergent filmmaking. Among these workshops and short-term courses are Basic Scriptwriting, Intermediate Scriptwriting, Digital Photography, Studio Photography, Travel Photography, Digital Cinematography, Digital Video Production, Documentary Video Production, Writing about Film.

Schedule : April to May 2012 Venue: Film Building / CMC Media Center U.P. FILM INSTITUTE WORKSHOPS MAY 2012 Download registration form here. DIGITAL CINEMATOGRAPHY – HDSLR Facilitator: Nap Jamir Schedule : May 5, 12, 19, 26, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 8,000 http://www.facebook.com/photo.php?fbid=10150714446712430&set=a.10150703586202430.421788.592967429&type=3&theater DIGITAL PHOTOGRAPHY Facilitator: Mr. Estan Cabigas Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 6,000 Requirement : Digital Camera preferably D-SLR INTERMEDIATE SCRIPTWRITING – FOUND STORIES Facilitator: Mr. Armando “Bing” Lao Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 5,500 FULL DIRECTING – Horror Genre Facilitator: Mr. Rico Ilarde Schedule : postponed until further notice http://www.facebook.com/photo.php?fbid=10150714446377430&set=a.10150703586202430.421788.592967429&type=3&theater *NEW CLASSES* NON-LINEAR EDITING – Final Cut Pro (weekends) Facilitator: Ms. Apol Dating Schedule : May 12, 19, 26 June 2 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 limited to 12 students/ class ; use of iMAC computers INTERMEDIATE SCRIPTWRITING – FOUND STORIES (2nd batch) Facilitator: Mr. Armando “Bing” Lao Schedule : May 21 to 25, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 5,500 INTERMEDIATE DIGITAL PHOTOGRAPHY – PHOTOJOURNALISM Facilitator: TBA Schedule : (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 DISCOUNTS: - early bird discount of 5% for those who will register and pay in full by March 9. - 10% off on your 2nd workshop. - Register in groups of 3 to get 5% off each. LAST DAY OF REGISTRATION : 5 days before the first day of the workshop. WORKSHOPS ARE OPEN TO PUBLIC. LIMITED SLOTS. An initial fee of P500 is required to reserve a slot. (this fee is non-refundable and will be deducted from the total course fee thereafter) To REGISTER: 1. Drop by our office. (Address: UPFI Film Center, 2/F Cine Adarna bldg. Magsaysay and Osmena Ave.,UP Diliman QC) View Larger Map 2. Fill up a Registration Form. Download registration form here. 3. Pay P500 or in full. (An initial fee of P500 is required to reserve a slot. This fee is non-refundable and will be deducted from the total course fee thereafter) For BANK DEPOSITS Name: UP CMC Foundation, Inc. Account No. 00-275-830-109-8 PNB, UP Campus Branch (kindly fax us (9262722) or email us a copy of the deposit slip/receipt of your down payment together with your completed registration form) For more inquiries sign in at the contact us page.

UPFI WORKSHOPS 2012

UPFI WORKSHOPS APRIL/MAY 2012

Workshops and short-term courses are offered to provide impetus to budding practitioners and sustain general creativity for the cause of emergent filmmaking. Among these workshops and short-term courses are Basic Scriptwriting, Intermediate Scriptwriting, Digital Photography, Studio Photography, Travel Photography, Digital Cinematography, Digital Video Production, Documentary Video Production, Writing about Film.

Schedule : April to May 2012
Venue: Film Building / CMC Media Center

U.P. FILM INSTITUTE WORKSHOPS MAY 2012

Download registration form here.

DIGITAL CINEMATOGRAPHY – HDSLR
Facilitator: Nap Jamir
Schedule : May 5, 12, 19, 26, 2012 (4 Saturdays)
Time : 1pm to 5pm (16 hours)
Course Fee : P 8,000

http://www.facebook.com/photo.php?fbid=10150714446712430&set=a.10150703586202430.421788.592967429&type=3&theater

DIGITAL PHOTOGRAPHY
Facilitator: Mr. Estan Cabigas
Schedule : May 7 to 11, 2012 (5 days)
Time : 1pm to 6pm (25 hours)
Course Fee : P 6,000
Requirement : Digital Camera preferably D-SLR

INTERMEDIATE SCRIPTWRITING – FOUND STORIES
Facilitator: Mr. Armando “Bing” Lao
Schedule : May 7 to 11, 2012 (5 days)
Time : 1pm to 6pm (25 hours)
Course Fee : P 5,500
*FULL*

DIRECTING – Horror Genre
Facilitator: Mr. Rico Ilarde
Schedule : postponed until further notice

http://www.facebook.com/photo.php?fbid=10150714446377430&set=a.10150703586202430.421788.592967429&type=3&theater

***NEW CLASSES***

NON-LINEAR EDITING – Final Cut Pro (weekends)
Facilitator: Ms. Apol Dating
Schedule : May 12, 19, 26 June 2 (4 Saturdays)
Time : 1pm to 5pm (16 hours)
Course Fee : P 6,500
*limited to 12 students/ class ; use of iMAC computers

INTERMEDIATE SCRIPTWRITING – FOUND STORIES (2nd batch)
Facilitator: Mr. Armando “Bing” Lao
Schedule : May 21 to 25, 2012 (5 days)
Time : 1pm to 6pm (25 hours)
Course Fee : P 5,500

INTERMEDIATE DIGITAL PHOTOGRAPHY – PHOTOJOURNALISM
Facilitator: TBA
Schedule : (4 Saturdays)
Time : 1pm to 5pm (16 hours)
Course Fee : P 6,500

DISCOUNTS:
- early bird discount of 5% for those who will register and pay in full by March 9.
- 10% off on your 2nd workshop.
- Register in groups of 3 to get 5% off each.

LAST DAY OF REGISTRATION :
5 days before the first day of the workshop.

WORKSHOPS ARE OPEN TO PUBLIC. LIMITED SLOTS.
An initial fee of P500 is required to reserve a slot.
(this fee is non-refundable and will be deducted from the total course fee thereafter)

To REGISTER:
1. Drop by our office.
(Address: UPFI Film Center, 2/F Cine Adarna bldg. Magsaysay and Osmena Ave.,UP Diliman QC)

View Larger Map

2. Fill up a Registration Form. Download registration form here.

3. Pay P500 or in full.
(An initial fee of P500 is required to reserve a slot. This fee is non-refundable and will be deducted from the total course fee thereafter)

*For BANK DEPOSITS
Name: UP CMC Foundation, Inc.
Account No. 00-275-830-109-8
PNB, UP Campus Branch
(kindly fax us (9262722) or email us a copy of the deposit slip/receipt of your down payment together with your completed registration form)

For more inquiries sign in at the contact us page.

Official Statement of the UPFI

filminstitute.upd.edu.ph — Sun, 11 Mar 2012 08:15:04 +0000

Official Statement of the UPFI	UPFI statement on the recent Cinemalaya issue The UP Film Institute (UPFI) expresses its concern over recent issues surrounding this year’s Cinemalaya competition brought about by casting disagreements between certain filmmakers and the festival’s key executives.
As an independent film festival, Cinemalaya is committed to support films by young filmmakers that “freely interpret the Filipino experience with fresh insight and artistic integrity.” Such films can only be made if the filmmaker is given the freedom to make the most important artistic decisions for the film. The choice of principal actors is clearly essential to the achievement of the director’s vision and therefore must be seen as the director’s right and prerogative. For certain Cinemalaya officials to insist on replacing the director’s choices with their own for whatever reason is an unwelcome imposition that cannot be countenanced because it strikes at the core of the filmmaker’s freedom to pursue his original artistic vision. It is alleged that similar impositions have been made on some filmmakers in the past and these filmmakers have suffered them in silence for fear that their grant releases would be withdrawn. Since 2005, Cinemalaya has succeeded in discovering and giving voice to scores of talented filmmakers who might otherwise have languished in anonymity for many more years. Moreover, in just seven years, Cinemalaya has brought into the light a repertoire of indie films that have truly enriched the national cinema of the country. For all this, Cinemalaya has earned the respect of the film community and has become the inspiration to many aspiring artists. To preserve Cinemalaya’s integrity and credibility as the leading independent film festival in the country, the UPFI now calls on Cinemalaya Foundation officials and members, and especially Cinemalaya Foundation Chairman and patron Antonio O. Cojuangco, to take swift and decisive action in resolving this serious matter in favor of the independent filmmakers whose creative prerogatives must be respected and upheld.

Official Statement of the UPFI

UPFI statement on the recent Cinemalaya issue

The UP Film Institute (UPFI) expresses its concern over recent issues surrounding this year’s Cinemalaya competition brought about by casting disagreements between certain filmmakers and the festival’s key executives.

As an independent film festival, Cinemalaya is committed to support films by young filmmakers that “freely interpret the Filipino experience with fresh insight and artistic integrity.” Such films can only be made if the filmmaker is given the freedom to make the most important artistic decisions for the film. The choice of principal actors is clearly essential to the achievement of the director’s vision and therefore must be seen as the director’s right and prerogative.

For certain Cinemalaya officials to insist on replacing the director’s choices with their own for whatever reason is an unwelcome imposition that cannot be countenanced because it strikes at the core of the filmmaker’s freedom to pursue his original artistic vision. It is alleged that similar impositions have been made on some filmmakers in the past and these filmmakers have suffered them in silence for fear that their grant releases would be withdrawn.

Since 2005, Cinemalaya has succeeded in discovering and giving voice to scores of talented filmmakers who might otherwise have languished in anonymity for many more years. Moreover, in just seven years, Cinemalaya has brought into the light a repertoire of indie films that have truly enriched the national cinema of the country. For all this, Cinemalaya has earned the respect of the film community and has become the inspiration to many aspiring artists.

To preserve Cinemalaya’s integrity and credibility as the leading independent film festival in the country, the UPFI now calls on Cinemalaya Foundation officials and members, and especially Cinemalaya Foundation Chairman and patron Antonio O. Cojuangco, to take swift and decisive action in resolving this serious matter in favor of the independent filmmakers whose creative prerogatives must be respected and upheld.

Estudio Midya Exhibit @ the UP-CMC!

filminstitute.upd.edu.ph — Sun, 04 Mar 2012 09:46:53 +0000

Estudio Midya	Estudio Midya Estudio Midya* Exhibit at the CMC Library Annex, 1/F Plaridel Hall, UP Diliman, from March 5 to 9. Part of the The University of the Philippines College of Mass Communication celebration of its CMC week with the theme “Magpasiklab, Plaridel!” 47th CMC Foundation Anniversary.


“Hypertext” dynamically reinforces the intertextuality of media content. Broadcast (radio and television) media, digital cinema, online news, social media, blogs, and user-generated internet video, etc., not only refer to each other, but organically share their various forms. The Internet and the Web – where individuals mash-up forms and ideas that create and re-create content and new forms of expression – is possibly the ultimate melting pot of this convergent culture. For its inaugural exhibit, Estudio Midya: The CMC Showcase of Scholarly Works presents: “Hypertext.” The exhibit area simulates cyberspace, where media content/ideas and their unique expression are interconnected and instantaneously accessible. Here, no two paths taken by any person are ever the same. This is how we experience – and critically study – media in the Age of the Internet. Welcome to your world! *Estudio Midya is an exhibit of scholarly works of UP-CMC faculty, students, and research staff. It aims to acquaint the public with the breadth and depth of scholarship in CMC in different areas of communication and media, thereby boosting CMC’s reputation as the lead institution in communication and media scholarship in the country. This broad aim of the exhibit is the inspiration behind its name, Estudio Midya, to signify two things: 1) a CMCer’s proud statement: “I study media”, and 2) a ‘studio’ or gallery featuring significant scholarly works of CMC faculty, students, and REPS. Estudio Midya is a project of the CMC Library Committee

Estudio Midya

Estudio Midya

Estudio Midya* Exhibit at the CMC Library Annex, 1/F Plaridel Hall, UP Diliman, from March 5 to 9. Part of the The University of the Philippines College of Mass Communication celebration of its CMC week with the theme “Magpasiklab, Plaridel!” 47th CMC Foundation Anniversary.

“Hypertext” dynamically reinforces the intertextuality of media content. Broadcast (radio and television) media, digital cinema, online news, social media, blogs, and user-generated internet video, etc., not only refer to each other, but organically share their various forms. The Internet and the Web – where individuals mash-up forms and ideas that create and re-create content and new forms of expression – is possibly the ultimate melting pot of this convergent culture.

For its inaugural exhibit, Estudio Midya: The CMC Showcase of Scholarly Works presents: “Hypertext.” The exhibit area simulates cyberspace, where media content/ideas and their unique expression are interconnected and instantaneously accessible. Here, no two paths taken by any person are ever the same. This is how we experience – and critically study – media in the Age of the Internet.

Welcome to your world!

*Estudio Midya is an exhibit of scholarly works of UP-CMC faculty, students, and research staff. It aims to acquaint the public with the breadth and depth of scholarship in CMC in different areas of communication and media, thereby boosting CMC’s reputation as the lead institution in communication and media scholarship in the country. This broad aim of the exhibit is the inspiration behind its name, Estudio Midya, to signify two things: 1) a CMCer’s proud statement: “I study media”, and 2) a ‘studio’ or gallery featuring significant scholarly works of CMC faculty, students, and REPS.

Estudio Midya is a project of the CMC Library Committee

Likha Adarna

filminstitute.upd.edu.ph — Tue, 13 Mar 2012 06:24:22 +0000

Likha Adarna	Likha Adarna The UP Film Institute prides itself with its student filmmakers. The Likha Adarna is an event where the students will showcase their works for the public to enjoy. March 15 & 16, 2012

www.facebook.com/upfilikhaadarna

Likha Adarna

Likha Adarna

The UP Film Institute prides itself with its student filmmakers. The Likha Adarna is an event where the students will showcase their works for the public to enjoy.

March 15 & 16, 2012

www.facebook.com/upfilikhaadarna

UPFI this March 2012

filminstitute.upd.edu.ph — Mon, 05 Mar 2012 03:21:52 +0000


March 2012	UPFI this March 2012
Cine Adarna
Jose Rizal’s Noli Me Tangere directed by Gerardo de Leon Presented by UP College of Arts and Letters March 5 Mon 9:30 a.m. and 1:30 p.m. Kobayashi Masaki’s Fukushima Hula Girls Presented by Embassy of Japan for the Commemoration of the Great East Japan Earthquake March 7 Wed 7 p.m. Free Admission Thesis Defense Day March 15 & 16 / 9 a.m. onwards Free Admission Pink Experience March 19 & 20 Top billed by Iceland’s Jitters
Videotheque
Back to Classics : Philippine Women’s Feature: Maria Saret March 1 Thu 5 p.m. Brocka Vintage : Features for the End of Violence against Women International Women’s Day Presentation March 8 Thu 5 p.m. Celso Ad Castillo’s Burlesk Queen 35th Anniversary Presentation March 14 Wed 5 p.m. http://www.facebook.com/events/266778836680570/ Untitled/Visions March 2, 16, 23, 30 Fri 4:30 & 6:30 p.m. Lasse Hallstrom / Michael Haneke Toddy Haynes / Werner Herzog Alfred Hitchcock / Hou Hsiao Hsien John Hughes / Shohei Imamura http://www.facebook.com/events/228513577180862/ 47TH MASSCOMM Week March 9 Fri 2:30 p.m. onwards Media and Society: Cinethon of Philippine features that dissect media’s critical role in society Highlights with UPFI’s most recent awardees for Best Thesis: Kim Carmelo’s Sirip + Samantha Lauren Lee’s Agos http://www.facebook.com/permalink.php?story_fbid=259286734152784&id=592967429 Thirty Years of FAP March 3, 10, 17, 24 Sat 2:30 & 4:30 p.m. Celebrating the 30th year of the Film Academy of the Philippines as the main industry institution for recognition of excellence in film with the Best Picture winners of the Philippine equivalent of the Oscars Film Talk with Vincent Moon March 12 Mon 2p.m. Italian Cinema Now : Guiliano Montaldo’s The Demons of Saint Petersburg March 13 Tue 5 p.m. Luchino Visconti Special: La Terra Trema + Death in Venice March 20 Tue 5 p.m. onwards Spotlight on Docus Minnie Solomon Crouse + Leni Riefenstahl March 13 Tue 7 p.m. http://www.facebook.com/events/223085931080116/ Tribute to Darna March 15 Thu, March 21 Wed, March 22 Thu 4:30 and 6:30 p.m. The Pinay superheroine’s leap to the big screen Generation Loss : Video Experiments from the Mowelfund Archives March 19 / 4.30 & 6.30pm (An)Other Irish Cinema Films March 26 / 4.30 & 6.30pm Programme 1: (An)Other Irish Cinema 1_Indwell Extinction of Hawks in Remoteness (Rouzbeh Rashidi, 2012) 61 mins 2_Monologue (Maximilian Le Cain, 2010) 3 mins 3_Next (Maximilian Le Cain, 2010) 7 mins 4_Lullaby (Vicky Langan/Maximilian Le Cain, 2011) 20 mins 5_Refuge (Donal Foreman, 2010) 10 mins 6_You’re Only What I See Sometimes (Donal Foreman, 2008) 9 mins 7_Repeat (Donal Foreman, 2009) 12 mins Programme 2: Friends of ‘(An)Other Irish Cinema’ 1_Concrete Walls (Michael Higgins, 2011) 60 mins 2_Horses (Esperanza Collado, 2011) 2 mins 3_Light From An Old Town (Dean Kavanagh, 2011) 18 mins 4_Poor Edward (Dean Kavanagh, 2009) 12 mins 4_ЧОП (Jann Clavadetscher, 2011) 10 mins 5_St. Francis Didn’t Run Numbers (Chris O’Neill, 2009) 2 mins 6_Sister Mary or Mary the Junkie (Chris O’Neill, 2009) 3 mins 7_Film From The Sea (Alan Lambert, 1999-2011) 5 mins *Order of Diwata March 27 – 29 / 2:30, 4:30 and 6:30 p.m. Selected classics with the recipients of UPFI’s Diwata Lifetime Achievement Honors for Women in Cinema
Ishmael Bernal Gallery
KIZUNA ALL TOGETHER BAYANIHAN : March 5 – 19 Commemoration Ceremony of the Great East Japan 2011 Earthquake HAUTE AUTEUR : Silent Video Competition Winners March 15 -16 1. Nang Gabing Maging Sinlaki ng Puso ang Bato ni Narda by Jon Lazam 2. Ebolusyon ng Kadahilanang Walang Kulay ang mga Kasaysasyan ng Ating Kalungkutan by Ramon Raquid 3. Pananampalataya by Butchito Campos 4. Lurker by Asha Cajayon 5. Yaya D by Carissa Almazan 6. Lino by Vina “Luna” Estrella 7. Introspection by Anthony Maingat 8. Sa mga Matang Umaamnag by Grace Ann de Luna 9. Dios Ruego Nos Perdone by Gert 10. Meron o Wala by Alula HERSTORY : The struggles and triumphs of the Filipino Woman March 21 – 31 BEHAVING BODIES : Australian and New Zealand video art March 30 – April 20 Agatha Gothe-Snape / Lou Hubbard / Laresa Kosloff / Campbell Patterson Stuart Ringholt / Justene Williams *FELIX BACOLOR : Outdoor Photo Installation March 30 – April 20
Workshops
Schedule : March to May 2012 Venue: Film Building / CMC Media Center U.P. FILM INSTITUTE WORKSHOPS MARCH 2012 Download registration form here. MARCH 2012 NON-LINEAR EDITING (Final Cut Pro) Facilitator: Ms. Apol Dating Schedule : March 27, 28, 29 and 30, 2012 (T-F , 4 days) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 limited to 12 students per class; MAC computers INTERMEDIATE DIGITAL PHOTOGRAPHY – FASHION/ STUDIO (weekend) Facilitator: Mr. Daemon Becker Schedule : March 31, April 14, 21, 28, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 Venue: Film Building / CMC Media Center U.P. FILM INSTITUTE WORKSHOPS APRIL 2012* Download registration form here. BASIC SCRIPTWRITING Facilitator: Mr. Raz de la Torre Schedule : April 16 to 20, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 5,500 DIGITAL PHOTOGRAPHY Facilitator: Mr. Jay Javier Schedule : April 16 to 20, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 6,000 Requirement : Digital Camera preferably D-SLR 2D FLASH ANIMATION Facilitator: Mr. Rodolfo “odie” Lopez Schedule April 16 , 18, 20, 23, 25, 27, 2012 (MWF , 6 days) Time : 1pm to 5pm (24 hours) Course Fee : P 6,500 DIGITAL VIDEO PRODUCTION Facilitator: Mr. Milo Paz Schedule : April 23 – 27, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 8,000 NON-LINEAR EDITING – Final Cut Pro (weekends) Facilitator: Mr. Bryan Quesada Schedule : April 14, 21, 28 and May 5, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 limited to 12 students/ class ; use of MAC computers U.P. FILM INSTITUTE WORKSHOPS MAY 2012* Download registration form here. DIGITAL PHOTOGRAPHY Facilitator: TBA Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 6,000 Requirement : Digital Camera preferably D-SLR INTERMEDIATE SCRIPTWRITING – FOUND STORIES Facilitator: Mr. Armando “Bing” Lao Schedule : May 7 to 11, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 5,500 Venue: CMC Media Center DIRECTING – Horror Genre Facilitator: TBA Schedule : May 14 to 18, 2012 (5 days) Time : 1pm to 6pm (25 hours) Course Fee : P 8,000 INTERMEDIATE DIGITAL PHOTOGRAPHY – PHOTOJOURNALISM Facilitator: TBA Schedule : May 5, 12, 19, 26, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) Course Fee : P 6,500 DIGITAL CINEMATOGRAPHY – HDSLR Facilitator: Nap Jamir Schedule : May 5, 12, 19, 26, 2012 (4 Saturdays) Time : 1pm to 5pm (16 hours) PHOTOSHOP Facilitator: TBA Schedule : May Click here to read more on registration.

UPFI Film Center this FEBRUARY 2012

filminstitute.upd.edu.ph — Thu, 02 Feb 2012 09:51:43 +0000


February 2012	UPFI this February 2012
Cine Adarna
Works by 4 UPFI Graduates Participants for the 10th Berlinale Talent Campus Feb 1 Wed Feb 15 Wed Ticket Price: P 100 \| Available at the venue Tundong Magiliw by Jewel Maranan Hungkag by Carlos Francisco Manatad Limang Libo by Ice Idanan Engkwentro produced by Bianca Balbuena Bianca Catbagan and Jose Antonio de Rivera’s SUNTOK SA BUWAN Feb 7 Tue 630pm & 830pm Mike De Leon’s BATCH ‘81 Feb 11 Sat 6pm Ticket Price: P 150 MANILA KINGPIN ; The Asiong Salonga Story Best Picture – Metro Manila Film Festival 2011 Feb 13 Mon & 14 Tue / 5 & 7pm Regiben Romana’s SAKAY SA HANGIN Digital Lokal Grand Jury Prize – Cinemanila 2011 Feb 17 Fri 10am onwards SPOTLIGHT ON DOCUS : Nick Deocampo’s Cine>Sine: Spanish Beginnings of Philippine Cinema Feb 21 Tue 5 & 7 pm *JAPANESE CLASSICS : Shinichiro Sawai’s Memories of You + A Brief Message from the Heart Feb 24 Fri 5pm – Memories of You 7pm – A Brief Message from the Heart Free Admission
Videotheque
FIRST FILMS: Vintage Debuts in Philippine Cinema Feb 1 Wed/ 4 Sat /11 Sat – 2:30/4:30/6:30 p.m. Feb 1 Wed 430pm – Tanikala ( Marilou Diaz) 630pm – Kasal (Laurice Guillen) Feb 4 Sat 230pm – Alapaap (Tata Esteban) 430pm – Haplos (Butch Perez) Feb 11 Sat 230pm – Nina Bonita ( Charito Solis) 430pm – Luis Nepomuceno’s Dahil sa Isang Bulaklak (1st Filipino Film to be sent to Oscars for the Best Foreign-Language Film Category) BACK TO CLASSICS: FPJ as Panday Feb 7 Tue/ 8 Wed/ 16 Thu/ 23 Thu – 5 / 7 p.m. Feb 7 Tue 5 p.m. Ang Panday 7 p.m. Ang Pagbabalik ng Panday Feb 8 Wed 5 p.m. Panday Ikatlong Yugto 7 p.m. Panday Ika-apat na Aklat Feb 16 Thu 5 p.m. Ang Panday 7 p.m. Ang Pagbabalik ng Panday Feb 23 Thu 5 p.m. Panday Ikatlong Yugto 7 p.m. Panday Ika-apat na Aklat Back to Classics: Erap as Asiong Salonga Feb 15 Wed 5 p.m. Back to Classics: Celso Ad. Castillo + Ishmael Bernal’s Bakit May Pag-ibig Pa In Memory of screenwriter Jorge Arago Feb 28 Tue 5 p.m. Sine Bahaghari : Brocka & the Bakla Feb 18 Sat 2pm & 5pm UNTITLED/VISIONS : Carl Theodor Dreyer/ Sergei Eisenstein / Rainer Fassbinder / John Ford / Georges Franju / Stephen Frears / Jean Luc-Godard / Peter Greenaway Feb 10 & 24 Fri 4:30 / 6:30 p.m. Feb 14 & 21 Tue 4:30 / 6:30 p.m. Feb 10 Fri 4:30 pm – Carl Theodor Dreyer’s THE PASSION OF JOAN OF ARC 6:30 pm – Sergei Eisenstein’s BATTLESHIP POTEMKIN Feb 14 Tue 430pm – Reiner Werner Fassbinder’s IN A YEAR WITH 13 MOONS 630pm – John Ford’s STAGECOACH Feb 21 Tue 430pm – Stephen Frears’ MY BEAUTIFUL LAUNDRETTE 630pm – Georges Franju’s EYES WITHOUT A FACE ITALIAN CINEMA NOW : presented by the Embassy of the Republic of Italy Feb 22 Wed 430pm & 630pm 430pm – Suspiria (Dario Argento, 1977) 630pm – The Lark Farm ( Paolo Taviani, 2007) THAILAND FILM FESTIVAL : presented by Royal Thai Embassy of Manila & International Club of U.P. Feb 27 Mon 10am / 1pm / 4pm
Ishmael Bernal Gallery
CV : CINEMA IN VIDEO Whammy Alcarazen, Poklong Anading, Martha Atienza, Lena Cobangbang, Judd Figuerres, Kepi Losaria, Feb 17 – March 5 TITO & TITA Jaclyn Esquillon, Timmy Harn, Gym Lumbera, Pam Miras, Shireen Martinez Seno, John Torres Feb 17 – March 5 SAGAD / TV STATION Outdoor Photo Installation: MM Yu’s Sagad / TV Station Feb 17 – March 5 FLATSCREEN Alcazaren Brothers / Nonoy Dadivas Patrick Purugganan / Jon Red Raymond Red / Roxlee TELESKOPYO: Buen Abrigo, Dean Africa, Mity de la Pena, Vinty Lava, Jed Nacabuan, Mark Sanchez Exhibit Opening : Feb 24 6pm Feb 21 – March 5

MANILA KINGPIN : The Asiong Salonga Story

filminstitute.upd.edu.ph — Fri, 10 Feb 2012 10:05:28 +0000


MANILA KINGPIN: The Asiong Salonga Story Feb 13 & 14 / 5pm & 7pm Cine Adarna, UPFI Film Center tickets at popular price

MANILA KINGPIN: The Asiong Salonga Story

Feb 13 & 14 / 5pm & 7pm
Cine Adarna, UPFI Film Center
tickets at popular price

A Symposium on Philippine Film by Dr. Nicanor G. Tiongson

filminstitute.upd.edu.ph — Fri, 06 Jan 2012 02:00:57 +0000

UPFI Symposium 2012	A Symposium on Philippine Film by Dr. Nicanor G. Tiongson A Symposium on Philippine Film : History and Criticism in Honor of Nicanor G. Tiongson 13 January 2012 / 830am – 5pm UP CMC Auditorium — at UP Film Institute.

UPFI Symposium 2012

A Symposium on Philippine Film by Dr. Nicanor G. Tiongson

A Symposium on Philippine Film : History and Criticism in Honor of Nicanor G. Tiongson
13 January 2012 / 830am – 5pm
UP CMC Auditorium — at UP Film Institute.

UPFI this January 2012

filminstitute.upd.edu.ph — Thu, 12 Jan 2012 07:13:35 +0000


January 2012	UPFI this January 2012
Cine Adarna
Japanese Classics: Yoji Yamada’s Tora-san Jan 17 Tue 5 &7 p.m. – Free Admission Tora-san’s Bluebird Fantasy , 5pm Tora-san Takes a Vacation, 7pm First Films: Vincent Sandoval’s Señorita Concorso Cineasti del Presente Official Selection, Locarno 2011 Dragons and Tigers Official Selection, Vancouver 2011 Digital Lokal Official Selection, Cinemanila 2011 Official Selection, Goteborg 2012 Jan 24 Tue & Jan 25 Wed 5 & 7 p.m. *Spotlight on Docus: Dante Perez’s Aktor (documentary on Soliman Cruz) Jan 27 Fri 7pm php100 per ticket
Videotheque
Back to Classics: Celso Ad Castillo Jan 10 Tue 4:30 & 6:30 p.m. – Free Admission http://www.facebook.com/events/266778836680570/ Untitled/Visions: Jan 13/20/27 Fri 4:30 & 6:30 p.m. – Free Admission Dardenne Brothers / Terence Davies Cecil B DeMille / Jacques Demy Claire Denis / Brian De Palma http://www.facebook.com/events/228513577180862/ First Films: Homage to vintage debuts in Philippine cinema Free Admission Jan 17 Tue 430pm – Giliw Ko (LVN) 630pm – P.S. I Love You ( Viva Films) Jan 18 Wed 430pm – Nina Bonita (Charito Solis) 630pm – Dear Heart (Sharon Cuneta) Jan 19 Thu 430pm – High School Circa ’65 (Maryo J. de los Reyes) 630pm – Tanikala ( Marilou Diaz-Abaya) Jan 24 Tue 430pm – Sana…Pag-ibig Na 1998 (Jeffrey Jeturian) 630pm – Kasal? 1980 (Laurice Guillen) Jan 25 Wed 430pm – Wanted Perfect Mother (Lino Brocka) 1970 630pm – Pagdating sa Dulo (Ishmael Bernal) 1971 Jan 31 Tue 430pm – Luis Nepomuceno’s Dahil sa Isang Bulaklak (1st Filipino Film to be sent to Oscars for the Best Foreign-Language Film Category) 630pm – Masahista (Brillante Mendoza) Feb 1 Wed 430pm – Tanikala ( Marilou Diaz) 630pm – Kasal (Laurice Guillen) Italian Cinema: Bernardo Bertolucci – The Dreamers + Last Tango in Paris Jan 28 Sat 2:30/4:30/6:30 p.m. – Free Admission Jan 28 Sat 230 – the Dreamers 430 – the Dreamers 630 – Last Tango in Paris
CMC Auditorium
*A Symposium on Philippine Film: History and Criticism in Honor of Nicanor G. Tiongson Jan 13 Fri / 830 am – 5 pm UP CMC Auditorium Free Admission 8:30 – 9:20am — Registration and Coffee 9:20 – 9:40am — Opening 9:40 – 10:00am — Nestor O. Jardin : The Cinemalaya Philippine Independent Film Festival 10:00 -10:20am — Jay Jomar F. Quintos: Toward a Cinema of the People 10:20 -10:40am — Rosalie Matilac : Two Films on Human Trafficking in Cinemalaya 2010 10:40 – 11:00am — Open Forum 11:00 – 11:20am — Soledad Reyes : Komiks into Film 11:20 -11:40am — Alvin B. Yapan : The Body of the Possessed in Filipino Horror 11:40 – 12:00nn — Open Forum 12:00 -1:30pm — Lunch break at cmc auditorium lobby 1:30 – 1:50pm — Clodualdo del Mundo : Rody Lacap and Auteur Theory 1:50 -2:10pm — Jema Pamintuan : Tunog Lata: Ang Musika sa mga pelikulang Tirador at BAkal Boys 2:10 – 2:30pm — Open Forum 2:30 – 2:50pm — Renei Patricia Dimla: Burgis Criticism: Affluence and Power in Danny Zialcita’s Films (1979-1986) 2:50 – 3:10pm — Patrick Campos: The Philippine-American Contact, the Politics of Memory, and the End(s) of Cinematic Experimantation 3:10 – 3:30pm — Vicente Garcia Groyon : Cinemarehiyon 2009 3:30 – 3:50pm — Open Forum 3:50 – 4:00pm — Break 4:00 – 5:00pm — Business Meeting (publication process, schedules and deadline, word count, citation format, etc.)

University of the Philippines Film Institute

April 2012

UPFI this April 2012

U.P. FILM INSTITUTE WORKSHOPS APRIL/MAY 2012

UPFI WORKSHOPS APRIL/MAY 2012

Official Statement of the UPFI

UPFI statement on the recent Cinemalaya issue

Estudio Midya Exhibit @ the UP-CMC!

Estudio Midya

Likha Adarna

Likha Adarna

UPFI this March 2012

UPFI this March 2012

UPFI Film Center this FEBRUARY 2012

UPFI this February 2012

MANILA KINGPIN : The Asiong Salonga Story

MANILA KINGPIN: The Asiong Salonga Story

A Symposium on Philippine Film by Dr. Nicanor G. Tiongson

A Symposium on Philippine Film by Dr. Nicanor G. Tiongson

UPFI this January 2012

UPFI this January 2012